SPIEGEL Interview with Salman Rushdie: "Terror Is Glamour"
Salman Rushdie, 59, has spent many years thinking and writing about terrorism. He spoke with SPIEGEL about why apparently normal young men turn to terror, the dangers of religion, and whether the US has turned into an authoritarian state.
SPIEGEL: Mr. Rushdie, as an expert on terrorism you …
SPIEGEL: Your book “Fury," with its description of an America threatened by terrorism and published in spring 2001, was seen by many as prophetic -- as more or less anticipating 9/11. Your most recent novel “Shalimar the Clown” describes how a circus performer from Kashmir is transformed into a terrorist. And for almost a decade your life was threatened by Iranian fanatics, with a price of $4 million on your head.
Rushdie: If you think that’s enough to qualify me as an expert on terrorism …
SPIEGEL: While researching your books -- and especially now after the recent near miss in London -- you must be asking yourself: What makes apparently normal young men decide to blow themselves up?
Rushdie: There are many reasons, and many different reasons, for the worldwide phenomenon of terrorism. In Kashmir, some people are joining the so-called resistance movements because they give them warm clothes and a meal. In London, last year’s attacks were still carried out by young Muslim men whose integration into society appeared to have failed. But now we are dealing with would-be terrorists from the middle of society. Young Muslims who have even enjoyed many aspects of the freedom that Western society offers them. It seems as though social discrimination no longer plays any role -- it's as though anyone could turn into a terrorist.
SPIEGEL: Leading British Muslims have written a letter to British Prime Minister Tony Blair claiming that the growing willingness to engage in terrorism is due to Bush’s and Blair’s policies in Iraq and in Lebanon. Are they completely wrong? Don’t the atrocities of Abu Ghraib and the cynicism of Guantanamo contribute to extremism?
Rushdie: I’m no friend of Tony Blair’s and I consider the Middle East policies of the United States and the UK fatal. There are always reasons for criticism, also for outrage. But there’s one thing we must all be clear about: terrorism is not the pursuit of legitimate goals by some sort of illegitimate means. Whatever the murderers may be trying to achieve, creating a better world certainly isn’t one of their goals. Instead they are out to murder innocent people. If the conflict between Israelis and Palestinians, for example, were to be miraculously solved from one day to the next, I believe we wouldn’t see any fewer attacks.
SPIEGEL: And yet there must be reasons, or at least triggers, for this terrible willingness to wipe out the lives of others -- and of oneself.
Rushdie: Lenin once described terrorism as bourgeois adventurism. I think there, for once, he got things right: That’s exactly it. One must not negate the basic tenet of all morality -- that individuals are themselves responsible for their actions. And the triggers seem to be individual too. Upbringing certainly plays a major role there, imparting a misconceived sense of mission which pushes people towards "actions." Added to that there is a herd mentality once you have become integrated in a group and everyone continues to drive everyone else on and on into a forced situation. There’s the type of person who believes his action will make mankind listen to him and turn him into a historic figure. Then there’s the type who simply feels attracted to violence. And yes, I think glamour plays a role too.
SPIEGEL: Do you seriously mean that terrorism is glamorous?
Rushdie: Yes. Terror is glamour -- not only, but also. I am firmly convinced that there’s something like a fascination with death among suicide bombers. Many are influenced by the misdirected image of a kind of magic that is inherent in these insane acts. The suicide bomber’s imagination leads him to believe in a brilliant act of heroism, when in fact he is simply blowing himself up pointlessly and taking other peoples lives. There’s one thing you mustn’t forget here: the victims terrorized by radical Muslims are mostly other Muslims.
SPIEGEL: Of course there can be no justification for terrorism. But nevertheless there are various different starting points. There is the violence of groups who are pursuing nationalist, one might say comprehensible, goals using every means at their disposal …
Rushdie: … and there are others like al-Qaida which have taken up the cause of destroying the West and our entire way of life. This form of terrorism wraps itself up in the wrongs of this world in order to conceal its true motives -- an attack on everything that ought to be sacred to us. It is not possible to discuss things with Osama bin Laden and his successors. You cannot conclude a peace treaty with them. They have to be fought with every available means.
SPIEGEL: And with the other ones, the “nationalist terrorists," should we engage in dialogue with them?
Author Salman Rushdie divides his time between New York, London and Mumbai.
SPIEGEL: Should such a state be granted to a minority just because they are particularly ruthless? What about Shalimar, the hero of your latest novel, who murders for Kashmir? Should he determine the region’s future?
Rushdie: You have to look at each individual case. The only way to find out why someone decides to engage in armed combat is to look at their individual personality. In Shalimar’s case, it’s a mixture of personal and political reasons.
SPIEGEL: Injured male pride plays a role, because the American ambassador in Delhi stole his true love. But it’s also about how Kashmir develops from a peaceful, multicultural society into a hotbed for terrorism. It’s about brutal attacks by the Indian army, which drive Shalimar into the arms of the jihadists. Didn’t you get into trouble with this portrayal of the Kashmiri reality?
Rushdie: Fortunately very little. My book wasn’t banned in India, as “The Satanic Verses” was -- as was, for a short time, “The Moor’s Last Sigh” because of alleged libel against an Indian politician. I received many positive reviews in India, and even the most important literature prize. Being half Kashmiri, I am particularly fond of that region -- that lost paradise. Perhaps another reason why there were no protests is that everyone realized how thoroughly I had done my research there, and how much I know about conditions there.
SPIEGEL: Your protagonist is a likeable man, at least at the beginning of the novel.
Rushdie: Yes. I was not interested in painting a black-and-white picture: here the perpetrator, fundamentally depraved from the start, and there the innocent victim. I didn’t want to make things that easy for myself. I was interested in showing the development, how someone gets into the clutches of the fundamentalists. And how on the other hand terrorist groups keep a lookout for potential assassins, spy out their environment, beguile people and seduce them and exploit their weaknesses. The book is called “Shalimar the Clown” not “Shalimar the Killer."
SPIEGEL: National political issues play a major role in the struggle over Kashmir, but religious issues are also key. Are you worried about the power of radical religious currents worldwide?
SPIEGEL: Perhaps not, but many people seem to need a god. Religions worldwide are experiencing a comeback. Striving for spirituality is more pronounced than ever. Is this a negative development in your opinion?
- Part 1: "Terror Is Glamour"
- Part 2: Part II: The Bush Administration and "the machinery of an authoritarian state"
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