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  Improving on the Nazi Past: Albert Speer's Son, Urban Planner

Improving on the Nazi Past Albert Speer's Son, Urban Planner

By Susanne Beyer

Part 2: Relentlessly Optimistic

But Speer doesn't have to discuss his work to be an interesting conversationalist. He could just as easily talk about the weather, German politics or the latest episode of a popular TV series. Words keep him going; they're his internal operating system. His first marriage was to a television announcer, and he has now been married to actress Ingmar Zeisberg for more than 30 years. Speer emphasizes his words with decisive gestures, looks his conversation partner in the eye and rarely falters when he speaks. He had a severe stutter as a child and young adult.

At the end of the interview, Speer decided to walk through downtown Hamburg in the rain. The idea of taking a taxi for short distances is foreign to him. Walking, observing and experiencing a city firsthand are all critical pursuits for an urban planner. He seemed in high spirits, as if convinced that his feasibility study at the next day's meeting would be well received, and that Munich would indeed enter the race for the Olympics. It didn't seem to trouble him that this initial triumph would only be a precursor to the real battle, and that he'd have to compete with other firms for the privilege of putting together the city's official Olympic bid. Despite everything -- and the fact that a decision on the 2018 Winter Games won't be made until 2011 -- Albert Speer seems relentlessly optimistic.

His vision for a Munich Winter Olympics would include new stadiums and other athletic facilities in the surrounding region. The city's Olympic Village from 1972, spruced up for the occasion, would serve as the focal point of the event. An autobahn would have to be extended to the Alps so athletes and visitors would not have to negotiate traffic jams on existing roads before a competition. Speer seems to have thought of everything, even the prospect of environmentalists blocking the autobahn expansion to protect endangered frogs. "We're familiar with this sort of problem," he says. "In fact, we've even relocated entire colonies of caterpillars."

'Haven't We Seen This Before?'

After the Breloer film, Albert Speer decided it was time to emerge from his father's shadow. But this has proven to be difficult. Britain's Sunday Times recently criticized Speer for daring to build an axis for Beijing, especially after his father had tried to ruin Berlin with his concept of enormous East-West and North-South axes. The Sunday Times journalists had not taken the trouble, says Speer, to speak with him directly, otherwise he would have told them that his axis has mystical roots. On the day after the article was published, the German tabloid Bild decided to run the same story. But the Bild journalists called Speer first and discovered that there were errors in the Sunday Times' account. Bild decided not to run the story.

Most German architects of any repute have left their mark in Berlin, but Albert Speer isn't one of them. "Speer in Berlin? We've tried that already," has been the response from various competitions. Try as he might, Speer simply can't escape his heritage.

Many who interact with Speer have the same problem. When he talks about having had to "resettle" a colony of caterpillars to build a road, his listeners can't help but cringe and be reminded of his father's human resettlement plans.

Speer is aware of this. Normally he has his guard up. When he talks about working in Libya in the 1960s, he's quick to point out that the country's dubious president, Colonel Moammar Gadhafi, wasn't in power at the time.

He also knows that because of his father he can easily become a target of criticism by working in countries that are not exactly bastions of democracy and human rights, like Saudi Arabia and China.

When asked why he does it, he says -- rather sternly for his nature -- that he wants to nudge those countries in a positive direction. He insists that his commitment is the reason why issues like environmental protection and sustainability have become so important in Chinese urban planning.

Making himself as invisible as possible is enough of a concession for Speer to his difficult heritage. Perhaps it is also his unique blend of character traits -- a mixture of caution and practical self-confidence -- that makes him successful in countries like China. He is deeply opposed to behaving as arrogantly in the Far East, as many Europeans and Americans still do today. He's familiar with the Asians' sore spots and is a careful negotiator. His personal trauma is an opportunity in other countries.

Speer owns a vacation home on a hillside on the shore of a Bavarian lake near the town of Murnau, a house he designed in a minimalist Asian style. It's small, with a lot of wood and large expanse of glass, and it almost disappears in the landscape. It's the only house Speer has designed for himself over his long career. In Frankfurt, where he lives most of the time, he and his wife rent an apartment.

His grandfather and his great-grandfather were also architects. His grandfather specialized in private homes, villas for the bourgeoisie of the day. Albert Speer likes to talk about his grandfather, his father's father.

But his favorite topic is the Olympics and the work he and his firm have ahead of them. He is 73, and he could very well live until 2018. If things happen the way he envisions them, namely, that he will be the one to develop the plans for this sporting event, at least one newspaper, alluding to the 1936 Games in Berlin, will undoubtedly print a headline reading: "Speer Plans German Games: Haven't We Seen This Before?"

Of course it would hurt him, at 84, to still be seen as the junior Speer, the demon's son. But that wouldn't prevent him from continuing to work at what he does best. What else can he do? The past has left him with not much choice but to persevere.

Translated from the German by Christopher Sultan