Two Views on Nobel Laureate Mo Yan: A Controversial Choice for this Year's Literature Prize
The decision last week to award the Nobel Prize in literature to Chinese author Mo Yan has not been the cause for universal celebration. Dissidents are criticizing the choice. In interviews with SPIEGEL, award-winning Chinese writer Liao Yiwu says he is "stunned" by the choice, and German novelist Martin Walser argues the recipient's work is "extremely critical and very open".
Since the announcement on Thursday that the Chinese author Mo Yan, 57, has been selected as this year's recipient of the Nobel Prize in Literature in Stockholm, a debate has been raging over the Nobel Committee's decision. The literary importance of Mo Yan is vaunted by many of his fans, but what detractors view as an uncritical and submissive attitude toward the state power in Beijing has been harshly condemned by dissidents. In interviews with SPIEGEL, Chinese author Liao Yiwu, 54, the recipient of this year's Peace Prize of the German Book Trade, criticizes his contemporary. Meanwhile, German novelist Martin Walser, 85, gives Mo Yan's work the highest praise.
SPIEGEL: How do you feel about writer Mo Yan winning the Nobel Prize in Literature?
SPIEGEL: Do you not make a distinction between a peace prize and a literature prize?
Liao: To me the truth comes first and then the literature. We in China are dealing with a dictatorial system and we writers have to take a stance on it. What stance does Mo Yan take? He is an example of how a regime can influence writers. He contributed to a volume of calligraphy that was a tribute to Mao. To me that shows that the truth is not his first priority.
SPIEGEL: Do you know him personally?
Liao: Yes, he once visited Chengdu and we met there. After that there were a number of opportunities for us to meet but he always avoided me. He knows that he represents a superficial China, one that can seem very glossy. Whereas I stand for a grassroots China, its dregs, its dirt.
SPIEGEL: Mo Yan might be relatively conformist but his work is not uncritical.
Liao: When push comes to shove, Mo Yan retreats to his world of artistry. That way he places himself above the truth. I don't like that. If you are going to stick to the truth then you need to keep your distance from the Chinese government and indeed to any form of politics, including the politics of democratic countries. When China was the guest of honor at the Frankfurt Book Fair three years ago, Mo Yan was part of the official delegation. He was a symbol of the Communist Party of China's culture. He does not keep his distance.
SPIEGEL: The awarding of the prize to Mo Yan can nonetheless be seen as a call to examine China. Is that not itself of value?
Liao: No, it is not. What has happened is very damaging, a woeful example of the West's fuzzy morals. Chinese officials feel vindicated in the way they have treated and continue to treat dissidents by such awards. And that is terrible for the people who suffer under them. You have no idea how much the news has angered my friends in China. One musician wants to organize a protest. They are upset and asking whether the West is not in fact an extension of the Chinese system.
Liao: Yes, party officials were extremely annoyed and that goes to show how effective a prize can be. I am pinning my hopes on readers, civil society, people who are seeking the truth. I have been living in Germany for one year and my impression is that people here are on a quest for the truth, they have come to terms with the injustices of the past, there are memorial centers and remembrance projects. Germany is my spiritual home.
Interview conducted by Susanne Beyer. Continue to the next page to read the interview with Martin Walser.
- Part 1: A Controversial Choice for this Year's Literature Prize
- Part 2: 'Orgies of Exactitude'
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