Dubious Provenance: Pressure Grows for Museums to Return Stolen Objects
The German government wants to help rein in illicit excavations and trade in archeological objects with a tough new law. The move is expected to create pressure for some of country's most-famous museums, which contain numerous works of unknown provenance.
Hermann Parzinger is fond of telling the story of how, 15 years ago, he found himself staring down the barrel of a Kalashnikov in northern Pakistan. The archeologist had surprised a group of people trying to plunder a Buddhist temple. Parzinger and his colleagues beat a hasty retreat.
There aren't too many culture functionaries in Germany able to tell such stories. The president of the Prussian Cultural Heritage Foundation is a martial arts expert with a black belt 2 dan ranking and has also won best in his age group in several Berlin Judo competitions. But behind the brawn, sometimes all it takes is a simple question to upset the 55-year-old pre-historian.
In this case, it's asking him when the world-famous museums his organization operates -- the State Museums including those on Berlin's UNESCO-listed Museum Island -- ceased purchasing archeological objects from abroad in the art trade?
Parzinger hesitates. He's been the head of one of the world's most important cultural institutions for long enough to realize immediately that he's tiptoeing a political minefield with whatever answer he provides.
Change 'Urgently Needed'
This week, Parzinger is co-hosting a major international conference in Berlin focusing on illegal excavations and the illicit trade in cultural property. The two-day conference at Germany's Foreign Ministry is expected to pave the way for a tightening of current laws on the protection of cultural objects. The German government itself has been highly critical of its most recent legislation, passed in 2007. In a report issued to parliament, the government recently stated that amendments are "urgently needed."
The government writes that although it has since become "common practice for museum not to purchase cultural objects of indeterminate provenance," the fact ist that "illegally excavated or illicitly exported cultural treasures are still being bought and sold." Like many other archeologists, Parzinger is calling for legal restrictions to be increased sharply in order to curb illegal trading of antique objects.
Parzinger than calls his legal counsel, but she's in a meeting. He asks her to come over anyway. When she arrives, he asks: Do we have purchases from the art trade?
"Yes," the lawyer says. The city's Antikensammlung, or Collection of Classical Antiquities, purchased 21 Apulian vases during the mid-1980s. Years later, both German and Italian investigators looked into the case. Members of Italy's federal military police, the Carabinieri, spent several days in the German capital auditing records and interviewing the director of the collection as a witness. In the end, they found no evidence of illegal excavations or exports from Italy.
The State Museums' legal counsel says the museums haven't purchase anything else. But Parzinger seems alarmed and orders the archeological museums he oversees to conduct internal reviews and report the findings to him.
Last Thursday, he followed up with SPIEGEL and told reporters the museums had continued purchasing objects until just a few years ago. Gifts were also accepted in cases in which the provenance wasn't always clear. There wasn't much and nothing spectacular -- antique vases, cuneiform writing, Mesopotamian cylinder seals, but nothing problematic.
Berlin Museums To Review Provenance
The museums have now been directed to review the provenance of all archeological objects that have entered into the collections since 1970. A representative of each museum has been appointed to conduct the review. Pazinger also promises "We will always be prepared to return things if it can be proven that they are of illegal origin."
The looting of the National Museum of Iraq after the American invasion in 2003 and the photographs of destroyed cultural sites in civil war-torn countries in the Middle East and Africa have prompted debates about the protection of these treasures throughout the West, including Germany. Dubious purchases had been made for years by Western museums, but the practice is now widely considered to be immoral.
The prevailing wisdom today is that illegal excavations and trade in archeological objects is destroying our world cultural heritage. And what is playing out before the eyes of the world in Iraq and Syria is no less than a disaster. Still, there is very little reliable data available about the scope and workings of the illegal trade.
In an internal "Intelligence Threat Study" distributed in July, the FBI in Washington listed 12 areas in the illicit antiquities trade for which there are "intelligence gaps." They include:
- What is the overall value of the illicit antiquities trade in the US?
- Where are the largest global networks in this trade?
- How many and which US-based art dealers are trading in stolen or looted goods?
- To what extent are US or foreign government workers involved in the illegal trade?
- Are the networks specializing in the illicit antiquities trade also involved in other criminal activities?
- How are the proceeds from illegal trade in the United States then transferred back to the networks in the countries of origin?
- Who are the most active carriers and which countries do they come from? Are the carriers also involved in the drug trade, human trafficking or any other smuggling?
The FBI report states that American authorities have returned more than 7,000 archeological objects to 26 different countries since 2008. But that is likely only a fraction of the illegal objects currently being held in the US, the study notes.
Currently, the worst looting is happening in Syria and Iraq. The US State Department recently published high-resolution satellite photos of several excavation sites in Syria that provide clues as to the scope of the destruction taking place there. Within two years, the excavation holes at the Classical-period site Dura Europas had been transformed into a wasteland.
- Part 1: Pressure Grows for Museums to Return Stolen Objects
- Part 2: Where Are the Artifacts Disappearing To?
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