Adopting the World: Josephine Baker's Rainbow Tribe
Part 4: 'Nobody's Perfect'
Akio now lives in an apartment building on the outskirts of Paris, works in a bank, smokes large numbers of cigarillos and likes to watch animated films. He relates information about streets and squares as we walk through the city. He often walks around aimlessly, without any destination in mind, he says.
A Japanese journalist who recently investigated Akio's story found the woman who had worked in the small shop in Yokohama where he was left as a baby in 1952. He gave Bouillon the information and suggested that the woman might know something about his biological mother. All he had to do was contact her, perhaps by writing her a letter. Bouillon has been carrying around the address for a year now. He says he doesn't know how to begin the letter.
Did Baker do the right thing? "She was a great artist, and she was our mother," says Akio Bouillon. "Mothers make mistakes. Nobody's perfect."
Bouillon says that his mother proved that people of different skin colors could live together as equals. "I love my brothers and sisters," says Bouillon. They all keep in touch by telephone. He says he feels closest to Jarry, because they were together when their adoptive father died in 1984.
The last time all 12 children were together in one place was in 1976, shortly after the death of their famous mother. Even in the last year of her life, Baker, to earn money, performed on a Paris stage, wearing a sequined dress and a towering feather headdress.
The children never wanted to be celebrities. They live ordinary lives -- working as gardeners, greengrocers or insurance agents. Child number eight died of cancer 10 years ago. Child number 11 became schizophrenic and now lives in an institution. Some of the siblings married and had children, while others remained single.
None of them adopted children.
"We are completely normal people," says Akio Bouillon. He and his siblings want to feel like a family, not a project.
"It's great," he says. "These stars are following in my mother's footsteps." Of course, he adds, the paparazzi are a problem, as is their constant quest for pictures of the children. But when Jolie adopts a baby from the Third World, says Bouillon, there is also a higher principle at work. "When these children grow up, they'll understand."
Bouillon feels that his adoptive mother made a great and enduring contribution, and that our impression of Josephine Baker should not be clouded by her weaknesses. She was, as he says, a child of her time, a time when even stricter morals applied. That helps to explain why she and Jari didn't get along, he says.
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