Pumping Iron: Soviet-Era Fitness Still Going Strong in Kiev
In Kiev, some sports nuts prefer to use salvaged tank chains and tires instead of barbells to beef up. At a unique open-air fitness park in the heart of the Ukrainian capital, body builders are still getting pumped up Soviet-style. A new photography book documents their efforts.
For many people, getting in shape entails heading to a members-only gym, complete with digital exercise machines and a luxurious sauna. But at a popular sports park in Kiev, things a far more hardcore.
The Ukrainian word Kachat means "to pump," and looking at the sunny images captured around the park's more than 200 weight-lifting stations, one can almost hear the sound of clinking weights, rep by rep. The unpadded benches, made simply of wood and painted blue, look more like medieval torture devices than benchpress stations.
It was here in the early 1970s that Polish gymnast Kasimir Jagelsky and mathematics professor Yuri Kuk realized their dream of creating a place for collective outdoor strength training. The fitness equipment is made from material that comes from a time when there was a surplus of scrap metal. Large vehicle parts serve as both weights and footbeds for rowing benches, and much of the equipment looks like it was salvaged from landfills and defunct factories.
One of the photos shows three men exerting themselves on a contraption made of various bars and and tractor tires, while another portrays a man wearing shorts and flip flops straining mightily to lift a piece of a tank chain into the air. It is a drama of biceps and triceps centered on the principles of tension and release.
Golovchenko, whose book has been published is in both German and English, gives these bodybuilders the attention they most likely crave, though one doesn't learn much more about them than their love of outdoor fitness. Fittingly, Golovchenko's hero from childhood, which the 38-year-old spent in Ukraine, was Arnold Schwarzenegger. But with his cliché-filled photos of these athletes, he captures a place that lies well beyond the world of sports media that worshipped the Austrian body builder.
In addition to highlighting the constructivist design of the fitness equipment, the book's layout recalls Russian revolutionary art, complete with agitprop typography. Finally, the book, published by Kehrer, brings back the long-forgotten 17 x 23 centimeter format that was popular in the 1980's.
Golovchenko's sweat-filled pictures could be interpreted as an ambitious portrait of Ukraine. The will of this nation, where the political order hovers somewhere between oligarchy and democracy, is clearly strong. After all, bodies can be political instruments too.
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