Polanski Rape Case: 'I Don't Feel I Was a Victim'
When she was 13, Samantha Geimer was raped by Roman Polanski at Jack Nicholson's home in Los Angeles. She has written a new book about that night in 1977 and its aftermath. In an interview with SPIEGEL, she tells why she still doesn't hate the director.
On March 10, 1977, director Roman Polanski raped Samantha Geimer, who was 13 at the time, during a photo shoot in Los Angeles. The agonizing legal dispute that followed lasted a year and ended with the prominent director fleeing the United States.
Thirty-two years later, Polanski was taken into custody in Switzerland and placed under house arrest. A Swiss court was supposed to rule on his extradition, which triggered yet another bitter controversy over the case. Geimer, now 50, has described her version of the events in a book to be published next week ("The Girl. A Life in the Shadow of Roman Polanski." Orell Füssli Publishing House; 19.90).
SPIEGEL interviewed Geimer in Las Vegas, where she works for a real estate company, although she lives in Hawaii with her husband and three sons. She never saw Polanski, now 80, again.
SPIEGEL: Mrs. Geimer, you write in your book that you weren't pleased when Roman Polanski was finally arrested in 2009.
Geimer: No. Why would I want him to go to prison?
SPIEGEL: Because what he did to you in 1977 made your life miserable, as you write in your book.
Geimer: It wasn't Roman who made my life miserable. It was the people who treated him unfairly at the time and now had him arrested in Switzerland. And -- nothing against you -- the press made my life miserable. Roman didn't intend for any of that. When he was arrested again four years ago, I knew it meant trouble. Now the press was after me again. That's why I wasn't happy.
SPIEGEL: If Polanski had stopped himself from having sex with the 13-year-old girl you were on that evening in March 1977, none of this would have happened.
Geimer: That's very true. But Roman Polanski already pleaded guilty to the crime in court, and he even went to prison for it in 1977. I don't know what else he could have done.
SPIEGEL: You think the 42 days he spent in prison at the time were enough?
Geimer: I never asked that he spend even a single day in prison. We had a deal with the judge to which all sides had agreed, and it called for probation. The judge didn't stick to the deal, and because he was worried about his reputation, he ordered an additional 90 days in prison. There was no reason for that. Roman was supposed to receive a psychological assessment there.
SPIEGEL: Polanski wasn't supposed to begin his prison sentence until he had finished shooting a film, but when a photo turned up of him together with young women at the Munich Oktoberfest, the judge felt duped and ordered him to return to the United States immediately to begin his sentence.
Geimer: But the psychologists at Chino State Prison found no pedophilic tendencies in Roman, and so he was released after 42 days. It was humiliating for the judge, who wanted to send Roman back to prison, this time for an indefinite period of time. It could have been five days or five years.
SPIEGEL: That's possible?
Geimer: It was certainly possible at the time. Roman must have had the impression that the judge could no longer be trusted, which is why he fled. To be honest, I can understand that.
SPIEGEL: When listening to you, and after reading your book, it's easy to get the impression that you don't think that what Polanski did to you was all that bad.
Geimer: At any rate, I was never as devastated and traumatized as people claimed I was. What I still don't understand is that if everyone felt that what Roman did was so terrible, why do they still want to see me as a deeply traumatized victim? Oh, Polanski did this to you -- but why, then, aren't you in worse shape?
SPIEGEL: We don't understand that.
Geimer: I'm also a feminist. I understand the motives of the women who attacked me publicly. But they wanted me to feel like a victim, because only a deeply hurt victim could truly benefit them and their cause. But I wasn't one. To this day, I don't feel that I was a victim of Roman, but rather a victim of the public, the courts and the media. That explains this book and this interview.
SPIEGEL: How did it come about that Roman Polanski wanted to photograph you in 1977?
Geimer: My older sister's boyfriend knew him from Hollywood circles. That was how he met my mother at a party. Roman told her that he was looking for young girls to photograph for the French edition of Vogue. My sister's boyfriend suggested me, which is how Roman came to our house. He brought along the photos he had taken of Nastassja Kinski for Vogue.
SPIEGEL: But then it was all clear. They were erotic photos of a 15-year-old girl.
Geimer: I thought they were beautiful. I wanted to be an actress. Apparently it all worked out pretty well for Nastassja.
SPIEGEL: Had you already heard about Polanski before then?
Geimer: I knew that he had directed the film "Chinatown." I had seen it in the theater, but I didn't like it. Too dark. But I knew that Roman Polanski was important.
SPIEGEL: Did you know about the tragedies in his life? About his parents, who were in concentration camps? About his mother, who died in Auschwitz? About the eight-year-old boy who fled on his own? About Sharon Tate, who was carrying his unborn child when she was brutally murdered by the Charles Manson gang?
Geimer: Nothing. I didn't find about all that until later. It's all so gruesome.
SPIEGEL: You met him eight years after the murder of Sharon Tate. He wanted to take test shots of you. Your mother had agreed to that?
Geimer: Yes. But when she wanted to come along, Roman said it wasn't such a good idea. The two of us walked up the street behind our house, and he started taking pictures. At some point he asked me to change my top. I wasn't wearing a bra, because I didn't need one yet, and I turned away from him to change. The funny thing was that he kept taking pictures. And then he asked me to turn around.
SPIEGEL: Didn't that seem strange to you?
Geimer: It was 1977. The world was different then. I grew up at a time when 13-year-old Jodie Foster played a prostitute in "Taxi Driver." Soon afterwards, Brooke Shields was in "Pretty Baby," playing a 12-year-old prostitute. The sexualization of girls my age was mainstream. It was everywhere. That's why it didn't seem very odd. I know how strange that sounds today.
SPIEGEL: Did you tell your mother about the topless pictures afterwards?
Geimer: No. Somehow I knew that I shouldn't have done that. But, anyway I didn't expect that Roman would be photographing me again. He didn't seem all that taken with me.
SPIEGEL: But he came back.
Geimer: Two or three weeks later. I wasn't crazy about it, because I knew that it wasn't right the first time. On the other hand, I still wanted to be in Vogue. We picked out some clothes, and he said that we would go to a friend's house and take some real pictures there.
SPIEGEL: And your mother wasn't concerned?
Geimer: No. He was this powerful, famous director, someone who also had a reputation to lose.
SPIEGEL: He also had a reputation as a womanizer, just like Jack Nicholson and Robert De Niro. There were rumors at the time that Polanski had an affair with Nastassja Kinski.
Geimer: We know that today. I didn't know it back then. At any rate, Roman drove with me in his Mercedes, first to Jacqueline Bisset's and then to Jack Nicholson's house.
SPIEGEL: Did you know Nicholson?
Geimer: I knew that he had been in "Chinatown." But as far as I was concerned, they were just a bunch of boring adults. Nicholson wasn't home either. Polanski asked me if I wanted some champagne.
SPIEGEL: Had you ever drunk alcohol before?
Geimer: Maybe a glass on New Year's Eve. But I had no sense of how much to drink. Later, Polanski offered me a Quaalude pill. He asked me if I knew what it was. I didn't want to seem like a stupid kid, so I said: "Sure." And I did know. Quaalude was the drug of choice in Los Angeles in 1977. It was part of the culture. Quaalude pills were depicted on T-shirts and were in the lyrics of pop songs.
SPIEGEL: It's actually a sleeping pill.
Geimer: Yes. But when it's combined with alcohol, it produces a sleepy, relaxed high.
SPIEGEL: When did the photo shoot start feeling strange?
Geimer: Everything was fine while he was taking pictures. He did photograph me topless again, but he didn't flirt with me. It was business. For the last photos, he asked me to get into the jacuzzi. Once I was in the hot water, the alcohol and the Quaalude kicked in. I felt light and dizzy. I also felt a little panicky. At some point, Polanski said that the light wasn't good for taking pictures anymore, and that he was getting into the jacuzzi, too. That was when I knew it wasn't good. I told him I had asthma and jumped out of the water.
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