Forbidden Photos Secret Shots of Hitler's Bunker


Part 2: A Grotesque Encounter

It was also a race against the clock, as the excavators dug deeper and the workers removed more reinforced steel. Why wasn't Conrad able to stop going there? He considers the question, gazing at the slides spread out on the lightbox in his Berlin office, then says: "Being down there and hearing the echo of your own footsteps, discovering things from a completely distant chapter of history -- it was that feeling of traveling back in time that fascinated me so much."

So he kept pushing his luck. Once he was scared half to death when he suddenly came across another man in the Reichskanzlei bunker. "It was unbelievable," he says. "He was sitting there as calm as could be with a miner's lamp, drawing the gloomy scene on a small easel," Conrad says. Was this a kindred spirit, another person interested in capturing architecture before its destruction, no matter how despicable the behavior of the people who originally constructed it? To this day, Conrad isn't sure. "We talked to each other, but the mistrust was too great," he says. "He didn't dare to ask me why I was there, and I didn't dare to ask him either."

It made for a grotesque scene: Two men holding their tongues out of fear of the communist dictatorship, inside a Nazi bunker. After a brief pause, both went on about their work, one with his camera and the other with his charcoal.

Confiscated Film

A couple of visits in, Conrad finally found the entrance to the infamous bunker where Hitler and his inner circle barricaded themselves when the Red Army reached Berlin. The complex consisted of a first bunker constructed in 1935 and then the actual, far more bombproof "Führer's bunker," which wasn't finished until 1944. But Conrad was disappointed by what he found. Neither part of the bunker complex contained the "original setting of insanity" he had hoped to see. "Too many Allied soldiers and curious Berliners had already been through there in the first years after the war, and all of them took souvenirs," he explains.

Conrad certainly found some items: decaying bits of furniture, projectiles, the epaulet of a high-ranking Wehrmacht officer, a gas mask and empty sparkling wine bottles. But the "Führer's bunker" itself, constructed from 1943 to 1944, was so flooded with water that it was hardly possible to get inside. It also now consisted of just one large room, since the Soviet army's demolition blasts had broken down the interior walls. In the first bunker, though, the one constructed in 1935, Conrad believed he had found the room where Magda Goebbels poisoned herself and her children with cyanide shortly before the end of the war. "The bunk beds were halfway collapsed, rusted and standing in the groundwater," he says.

It was after this visit that Conrad was caught for the first time. Police examined the contents of his leather shoulder bag, patted him down and quickly found the film he had hidden in his socks. But to his surprise, they gave him comparatively little trouble. They didn't accuse him of trying to escape East Germany either. "They didn't really understand what I was doing down there, they just told me I should cut out the nonsense," he says. But Conrad didn't cut it out. In fact, the fake construction worker was caught four more times and had a dozen rolls of film confiscated.

A Dream Come True

Then, in 1989, it was all over. The removal work ended and the rest of the "Führer's bunker" -- the floor slab and the external walls -- were filled in with rubble, sand and gravel.

Just a few months later came the demise of another massive concrete construction -- the fall of the Berlin Wall made Conrad's dream of studying architecture, denied to him in the GDR, possible at last.

In his spare time, though, Conrad remained true to his old passion. To this day, he seeks out lost worlds, photographing abandoned barracks, apartment blocks and factories shortly before they are torn down. These days, though, he no longer has to disguise himself as a construction worker.

Additional photos can be viewed at the Lumabytes agency website.

This article originally appeared in German on, SPIEGEL ONLINE's history portal.

Translated from the German by Ella Ornstein


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spon-facebook-1819472986 06/05/2013
1. optional
one of the most amazing bunker stories I've ever seen. great pics by a brave man. these pics are priceless, bcuz I don't think there's too many post war photos released from the ultimate German bunker. 08/30/2013
2. Hats off to Robert Conrad...
...for revealing the interior of that old rat hole, before it was too late. My question is, WHY did he have to do this at such risk to his freedom? Even at its ugliest and creepiest, history has value; anything that brings it to life is priceless. Otherwise we never learn anything from it, which is a tragedy in itself. - Doro
spon-facebook-10000110724 05/23/2014
3. optional
My Grandfather was there during the liberation and took tons of photos in the bunker and at his Vienna Mountaintop Mansion. But still interesting to see it some 40 years after.
yorkist 11/18/2015
4. Destruction of history for spite
I believe that HITLER's home at Obersalzburg should have been allowed to remain. It was a part of history. In my opinion its destruction was down to the allies' small minded vindictiveness. Napoleon was defeated in 1815 and bridges he built on the Seine still stand in Paris. MUSSOLINI was defeated in 1945 and structures he built still stand in Rome. When leftists suggested his monuments should be destroyed it was argued that MUSSOLINI was just another dictator in Rome that had known the Caesars and that his structures should remain. That, to me, was enlightened thinking. This idea that every trace of a defeated enemy and anything he constructed must be wiped from existence is petty and spiteful.
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